Review: Pioneering Japanese psychedelic rock Acid Mothers Temple & the Melting Paraiso U.F.O. (AMT) were formed in 1995. Their relentless output has spawned various offshoots over the years, such as Acid Mothers Temple & the Cosmic Inferno and Acid Mothers Temple SWR, synthesising and alien cosmo-grammar in sound, one that perhaps only the most acid-casualtied tongues can interpret or speak. Now present through Rolling Heads comes their latest album for 2025: Holy Black Mountain Side comprises three psychedelic pieces, reticulating a series of recording sessions held down between 2021 and 2023, at one point reinterpreting a traditional folk song, and throughout enlisting guest bass from Taigen Kawabe of Bo Ningen. Each record comes wrapped in unique artwork by lead improvisor Kashiwagi Ten, adding an extra layer of veiled mystery to each: no two records are visually alike.
Review: In 2015, Texas & London-based trio Khruangbin's debut album 'The Universe Smiles Upon You' garnered wide critical acclaim and captured attention for its seamless genre-blending and internationally shaped sound - one that evidently has deep roots in Thai-funk cassette culture. Similarly to their debut, sophomore record 'Con Todo El Mundo' is a cocktail of largely instrumental surf-rock, afro-funk, middle-eastern and far-eastern influences, mixed with warmth and soul. As if their pallette wasn't diverse enough, the additions of the pared back boogie on 'Evan Finds The Third Room', the widescreen dream-pop of 'A Hymn' and deeply intricate writing of closer 'Friday Morning', are illustrative of a band who have worked hard to broaden their horizons while keeping their roots in mind and, despite transatlantic bases, clearly remain a stunningly cohesive and well-matched outfit.
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