Review: Humanoid Recordings co-founder 4d lays down another four-track 12" for the label, scouring the weightier and scrapier ends of minimal and acid house, all while teasing out a retro-robotic edge. Only an artist with a real sense of humour can invoke ideas of 'Stupidity' and 'Quantum Theory' in the same breath; both tracks betray the unified whimsy and intelligence that a successful acid house and techno artist must portray in order to win hearts. The latter uses a particularly sticky, hard-to-pin-down 4x4 kick style; contrast to B1 'World In Our Head', which portrays a psychic model of the outside world through trilling trance lines, and the meek glissandos of 'Sowie Lockers', securing an indeterminate but funky mood.
Gonna Do & Do It More Now (Titonton Duvante FLiP) (6:27)
Review: Acapulco Heat is a new duo from Acapulco made up of Felipe Valenzuela and new comer Ossios. They share a love of colourful shirts and making "sensual moves in the shade of palm trees" and here offer up a set of cuts designed to encourage dancefloor mindfulness. 'Intellectuelle' is a crispy tech house groove with thudding kicks and enough detail to keep the mind as locked as the heels. 'Gonna Do & Do It More Now' is a highlight on the flip - a trippy synth line buzzes about over flappy drum programming that suspends you in the groove. The one and only Titonton Duvante offers a remix that has a darker heart.
Review: Accented Measures Series (AMS) is a still relatively new series that has been compiled and arranged by Accented Measures and is designed to deal in unreleased and new music from some of the scene's key names. The Space Drift Remixes EP is next up the series with a combination of 90s vibes and modern grooves. '97NY' (TC80 remix) is heads down and raw as you like tech. 'Aeons' (Pedro Goya remix) rather spins you out on more silky cosmic pads and the Miles Ellis remix of 'Bad Sector' is thudding tech with rigid drums and washes of sugary synth. 'Space Draft' (Karaba remix) begins some serenity and smoothness to the final cut.
Review: Two toolroom essentials from Rob Amboule, former London stalwart come Frankfurt familiar. Where years of collecting and playing gradually evolved into Rob making music of his own, it wasn't long before he made the move permanent, settling in around the Main. A late stopover in Paris has now domino effected this new one: 'Wovv Tools' brings 'Melortra' and 'Kopuie', equal parts dance-incenting and vagus nerve-soothing. The B is especially brilliant, cycling through generative hypnotic whirls and sweller padwork.
Review: Atimpuri emerges from the Italian prog techno scene with Present Magnificus, a sublime new EP for the small but already well formed Spaziotempo (or 'space time') label. Giordano is already known amongst those who know as a fine DJ and producer, as the uninitiated will now discover with this top label debut. He explores fusing of an array of styles form techno to prog, trance to Italo, breakbeat to electro on an EP that is thoroughly of the moment. all the sounds are sci-fi in design and futuristic in mood with compelling grooves and plenty of great designs that work as well on head as they do heel.
Basement Space & Mans Glaeser - "Spacer Glaezer" (6:01)
Eric OS - "Timeout" (5:11)
Baby Rollen - "TwentyTwenty Home" (8:23)
Anna Kohlin - "What Time Is It?" (7:06)
Review: A releaser that crackles with an energy that could only emanate from the shadowy corners of the Swedish electronic underground. Anna Kohlin, label co-head and architect of hypnotic soundscapes, guides us through a diverse sonic landscape, her own 'What Time Is It?' leading the charge. Built from the evocative textures of the Roland JV-1080, it shimmers with a sunrise glow, ethereal pads interweaving with delicate melodies. Kohlin, a master of contrasts, doesn't shy away from the shadows, injecting her creation with sharper, dynamic elements that add a touch of grit to the dreamlike atmosphere. Eric OS throws down a challenge with 'Timeout', a sonic time capsule that transports us back to the early 2000s. Analogue warmth collides with the raw energy of digital sound, vintage synths intertwining with crisp beats in a nostalgic yet undeniably fresh sonic tapestry. Baby Rollen, armed with a looped double bass sample and the crisp snap of a 909, crafts a hypnotic groove with 'TwentyTwenty Home'. A warm 303 bassline snakes through the mix, adding a touch of acid-tinged euphoria to the already infectious rhythm. Basement Space and Mans Glaeser, never ones to shy away from the unconventional, deliver 'Space Glaezer', a sonic maze that twists and turns through intricate textures and unexpected rhythmic shifts. Kohlin's curation is nothing short of masterful, showcasing the diverse and ever-evolving landscape of the Swedish electronic music scene. Inside Out 002 is a testament to the power of electronic music to transport, inspire, and defy expectations.
Review: Rebirth kicks off its 2024 with a remix EP that serves as "a tribute to the Brescian music scene in its many facets and declinations." The full original project is a complete 12-track album that brings together many different sounds, scenes and generations, with the best bits now assembled on this new 12". The revered deep house master Fred P opens up with some texture spiritual synth depths, K-Lone brings some nice house swing to his version of 'Paline' and edit maestro Rahsaan also keeps it paired back and late night on his soulful take on 'Scent Of An Old Life'. A great reimagining of some moving musical adventures, then.
Review: he North Macedonia label Pirka releases its fifth album and features four excellent tracks by the longtime producer Vincent Casanova. Things begin with the addictive melodic burner 'Mikey's Attic", which has a great balance of being futuristic with being retro enough to get everyone to the dancefloor. 'Euphoria' is bit more reserved but deeper. The track sneaks up on you as rhythmic elements continue to change and evolve under this excellent bassline. The track is carefree and fun that makes for an enjoyable time. On Side two, 'Strike' is more up-tempo jam that we cannot get enough of while 'Lush Void' might be our favorite of the bunch. This spacey romp into the cosmos is not only beautiful but it feels in constant motion like you are on a magic carpet ride. This EP has something for everyone!
Toto Chiavetta - "My Eyes Are Failing" (feat Trenton) (6:04)
Toto Chiavetta - "Dua Is" (Imperfect Couture extended mix) (6:36)
Toto Chiavetta - "The Sacred Space" (Tape Proc mix) (6:18)
Toto Chiavetta - "My Eyes Are Failing" (feat Trenton - Imperfect Couture extended mix) (7:52)
Toto Chiavetta - "My Eyes Are Failing" (feat Trenton- Echonomist remix) (7:12)
Review: Impressively wide and etheric new minimal / prog tech house from Italy's Toto Chiavetta, who returns to Mind Against's HABITAT sub-imprint with 'My Eyes Are Falling'. Rarely do we hear progressive house artists indulging such futuristic sound-palettes, if not for the fact that such sonic and textural detail often naturally spurs artists into more abstracted explorations away from dance music. But Chiavetta reins this impulse in, and keeps firmly rooted in the dance world by way of mega-surrounded breath-voices (courtesy of singer Trenton) and stratospherically catchy synth evaporations. Everything here, too, from the unpredictable, grid-flouting synthwork of 'The Sacred Space' to the ensuing remixes of the title track, sounds just as exo-worldly as the occult lifeform portrayed on the front cover.
Review: Some would deny that sound could be at all malevolent, or carry an innately evil intent. Greek techno producer Cirkel Square may think differently; his latest red-label EP for Ukrainian imprint Jerelo makes the argument quite clear that since sound does not exist without an ear to receive it, and a subject to perceive it, all sound is thus subjective. Its emotional contents are as contingent on the presence of a human mind as is the capacity to hear the sound itself: if we hear a sound, we cannot avoid ascribing it an intention. Cirkel Square, meanwhile, refrains from bad philosophy of this kind and draws on Ancient Greek mythology to inform his tutelary four track EP, each of which is named after the Greek gods of time, hell, war and hell again. The Greeks believed in four "sinister harmonies", and Cirkel Square has finely tuned each track to conform to each of said grave frequencies, to harrowingly electric effect. It's not all doom and gloom, though: make it to the end for the calmest balm in sound there is here, 'Persefone's Whisper'.
Review: Lemaia's latest introduces rising Italian artist Alex Dima for four fresh tracks of futuristic tech house. There is a cinematic element to the crispy metallic drums and evocative pads of 'Running Against Time' while 'Love Perspective' has pensive pads melting away behind snappy drum work and gloopy bass. The precision-designed drums of 'What About The Future' and the fizzy synths that buzz about the mix make it another fresh sound while 'Mass Destruction' shuts down with a more looming sense of doom. It comes from the shadowy bassline that snakes away beneath more snappy hi-hats and a prying lead synth that takes you into the unknown.
Everything Nice This Morning (Volen Sentir Rerubed dub remix) (9:15)
Review: A fresh digital single by DJ Zombi, an Israeli DJ and producer and maestro of everything progressively downtempo. A curt two-track statement comes on this fresh vinyl release; the original 'Everything Nice This Morning' is a shoulder-lifting bop, with syncopated layers and melodic upticks backing up a measured, burgeoning mood. The B-side's remix from Volen Sentir is far weightier, bringing drums front and centre while also paring back the rhythmic synths for pure ambience. Released by Moments, a project of internationally acclaimed DJ Guy Mantzur that connects the elite producers with a series of gatherings, this one's a surefire path to joint ecstasy.
Review: Novaj Records presents its second vinyl release - 'Space Energy', an electrifying compilation EP inviting listeners on an interstellar journey through a wide array of sonic cosmologies, in good stead with the nascent trend of space-age acid house emergent of late. Lauching into the boundless realms of space, the likes of Donnie Cosmo's 'Venus Transit', MLink's 'Frequencia' and Sunaas' 'Flash Dancer' are all as enchanting as they are out-of-body-experience-inducing.
Review: Re-United nobly unveil their second release, 'Shock', a sharp, stylish repossession of the talents of one Paolo Driver and Alberto Bof. A perfectomundo blend of classic trance tranches and modern jam-house, the release also houses a remix by Niki B on 'The Spring', with profound implications to follow. Said closing remix is especially swarthy and down-under, evoking catlike slinks down alleys in the night with its slower-burning, electrostatic moves.
Review: The Space Trace label keeps quality high with this fourth outing on wax. Eric Os is on the button for this one with 'Underworld' first to lure you into its world with gently broken bets and moody pads setting an eerie tone. 'Stereophysical' is more jacked up with fizzing synth lines and warped pads over future house beats and 'Elusive' bringing some trance energy to its flashy, bright synths. 'Electrodreammachine' is a wonky electro workout with withering sci-fi motifs, puling synth sequences and raw hits. 'Feeling Real' and 'Cherry Red' complete the EP with more blends of house, electroclash and sleazy guitar riffs.
Review: Italian tech connoisseurs E.T.H (Italy) and Palmiz deliver a sublime 4-tracker with Interstellar on Gestalt Records, perfectly balancing big room utility and sweaty club vibes. Highlights include 'How Long (Trippy Mix)' , an energetic, progressive house groover with a big, heavy late 90s sound. This track is a standout with its powerful beats and infectious energy. 'Interstellar is pure 90s fun with it's techno vibes dominating this track, bringing a vintage UK sound that feels both nostalgic and fresh. Another great one is 'Senator Bump' with the blend of classic New York house and elements of acid house. E.T.H and Palmiz have crafted a versatile EP that resonates with both classic and contemporary techno and house lovers.
Review: Nicola Facchineri's Prog EP on Twig is a masterclass in hypnotic, groove-centric electronic music, demonstrating the label's knack for crafting compelling club tracks. Each cut on this EP reinforces Twig's reputation for pushing boundaries while keeping it grounded in dancefloor practicality. The opener, 'Lighter Cubes', immediately sets the tone with its spacey atmosphere and mesmerizing bleeps. The track's subtle melodic elements weave through a tapestry of electro sounds, creating a suspenseful build that's perfect for those crucial moments in a set when you need to heighten the tension. 'Juggle' shifts gears with a deeper groove, featuring a blend of bass and acidic synths. Its understated yet infectious rhythm makes it a standout, effortlessly blending subtlety with impact. On the flip side, 'Climbing' lives up to its name with a relentless build-up that turns the dancefloor into a dynamic playground. The track's chuggy bass and intricate drum patterns keep the energy high, demonstrating Facchineri's skill in maintaining momentum. The final track, 'Right Way', wraps things up with a touch of acid and a cool, spacey melody. Its bleepy, synth-driven vibe ensures it fits comfortably into any set, bringing a satisfying conclusion to the EP. Prog EP affirms Twig's status as a go-to label for quality deep club tracks, adding yet another gem to their impressive roster.
Review: Fabrizio Fattore brings a lush world of sound to the fore on his new EP for Mule Musiq. It mixes up early, soul-drenched Detroit techno championed by the likes of Derrick May with jazzy melodies that would make John Beltran proud. 'Deep Blue is a sophisticated symphony of melodic and cosmic techno that will lift you off your feet. 'Passengers To Mars' is more lo-fi but still has a driving sense of groove and serene synth craft that is rich in emotion. 'Moon Temple' shuts down with more melancholic melodies but no less elegance in the craft.
Review: Fazack, Not Even Noticed, NairLess and Henrik Villard battle it out on the fourth Terrazzo disc, unleashing a contagious arsenal of acid and proggy tech house in the process. From the opening hip-swangs and filter-pinched laserblasts of 'Slung Low' to the more ecstatic midi-synth plucking ends of 'Zuzswang'; and last but not least, the more overt acidifications of 'Reflective Tears' and 'S11'; there's something on here for every raver.
Review: Fio Fa is back in his own label Sunset Drifters with four well-crafted and progressive cuts. 'Strengthen My Delusions' opens up the Delusions EP with twitchy electronics whipping about a steely arrangement with potent bass. 'The Wrong Side Of Doubt' has a winky lead taking centre stage over well programmed and crisp drums and hits and 'Partys Over' on the flip then layers up more future-retro sounds and slivery synth lines with a more moody low end and some sleazy vocals. Last but not least is the rather more serene and cosmically minded 'Another Epiphany' which cruises on acid-laced prog beats.
Review: Belarusian producer Four Walls is back - this time around he finds himself on the new Ultraworld Records imprint from DJ Craft. This one kicks off with the lush prog house and silky synth arps of 'Mind Charger' which soon takes you to the stars. 'Metamorphosis' is a more raw-edged and acid-laced techno stomper for peak time action and 'Summer Nights' is a bubbling, elastic tapestry of new age overtones, thudding kicks, and trance-tinged pads. A remix by Toronto-based Pletnev adds another dimension to this club-ready EP.
Review: In the write-up for this admirable label debut by newcomer Framboisier, Gestalt has promised "a new kind of club sound" based on the foundations of "tech and hardgroove". So what does that mean in practice? Well, title track 'Buffout Trax' is a brilliantly bouncy and breathless affair, where rave-igniting riffs, bassline house style organ bass motifs and UK garage samples ride a beefed-up house groove. 'Orbit Reflex' sees the producer lean more into glassy-eyed rave-era nostalgia - all stabbing bleep techno style bass, hybrid techno-house beats and fizzing melodic motifs - while 'Flex-o-matic' is a more rolling concoction that puts retro-futurist fun at the top of the agenda. Closing cut 'Holodisk Data', meanwhile, is an all-action fusion of past and present dancefloor tropes with extra lashings of TB-303 psychdelia and nods to early progressive house.
Review: Two years ago, UK techno mainstay Gabriel made his bow on Rawax's Motor City Edition series with an EP of cuts drawn from his seemingly endless archive of unreleased gems. We're not sure whether the four tracks on this belated sequel are old and new, but they're certainly timeless-sounding and impressively deep. Check first 'Mordax', an impeccable mixture of Motor City star-gazing and analogue deep house blessed with a ridiculously good bassline, before admiring the sun-splashed warmth of 'The Multicoloured Mind', where jazzy piano motifs, sustained synth-strings and warming chords dance atop a loose-limbed house-not-house beat. Over on the B-side 'It's All Pam's (Marseille)' is another gorgeous chunk of ageless deep house bliss, while 'Into Week Two' sees Gabriel once again blur the boundaries between Detroit techno and futurist deep house tropes.
Review: Jorge Gamarra's 'Exercise In Futility' EP is a striking exploration of sound from start to finish, showing his unique flair in the minimal and tech house genres. On Side-1, 'Rigor Samsa' sets the tone with an epic soundscape that merges futuristic and dramatic sci-fi elements. Its heavy, brooding atmosphere is both catchy and dynamic, making it a standout opener that invites listeners on an adventurous journey. Side-2 introduces 'Angular', a track infused with trance elements that create a romp into the future of techno sounds. The seamless blending of rhythms and melodies elevates the listening experience, highlighting Gamarra's ability to craft engaging soundscapes. Concluding the EP, 'Petrichor' is our favourite of the three. It delivers a stunning fusion of 80s darkwave aesthetics with techno influences, with lots of emotional atmospheric and depth with rich textures, evoking a nostalgic yet fresh vibe. All in all, a masterful record.
Review: Gzardin has a pretty singular sound palette when it comes to his take on tech house. His medleys are bright, his drums dusty, and his chords bring colour and radiance. All that is on show on the opener of this new EP with 'Hentroduction' being a mix of laidback vibes and trippy sequences that occupy the mind. 'Rainy Pain' is more twisted and tense in its make-up and 'Part Time Shed' ramps things up again with techno-leaning low ends and warped synth synths taking centre stage. 'Desserted' shuts down with some new school jack.
Review: Danny Howells is one of the UK's natural electronic music treasures. He was there in the early days of prog and remains a singular artist who now debuts on another fine institution in Radio Slave's Rekids. His new EP that blends deep house warmth with subtle progressive flourishes and finds him teaming up with keyboardist Elliot Herrington. The title track shimmers with late-night fuzz, while 'Thrunk' builds around a rare-for-Howells bass-first approach that has already made it a favourite among selectors like Honey Dijon, DJ Sprinkles and Jennifer Loveless. All in all, another triumph for Howells.
Review: This techno and house EP is a refined journey through futuristic themes, blending nostalgic echoes with forward-thinking soundscapes. Across its four tracks, the EP seamlessly intertwines elements of techno, trance and house, delivering a polished out of this world experience. Side-1 begins with 'Lucia', a melodic exploration that feels like a futuristic odyssey. Its nods to early 90s techno, trance and Italo house create a euphoric, spacey atmosphere. Following this, 'Solstice' offers a celestial take on techno, with shimmering tones and an air of serene beauty. Side-2's 'Orchid' is a standout, driven by a heavy rolling bassline and progressive house sensibilities. Darkwave and 80s electro influences infuse the track with dramatic tension, as its energy and melody build to a satisfying crescendo. Closing the EP, '00 26' is a smooth, uplifting piece of trance-inspired bliss, balancing beauty and subtlety with ease. Berkana EP is a example to JAVI's ability to craft tracks that are both nostalgic and forward-looking, perfect for late-night sets or introspective moments. Proper trance alert.
Review: Chris Stussy's Up The Stuss label is one of the hottest out there right now - a fresh label setting the underground with its mix of spaced out breaks and deep house, slick minimal and futurist techno sounds. Jhobei is part of that revolution and lands here with a fresh four tacker that cones on nice blue vinyl, with 'Slink 'N Slide' - a throwback sound with rave overtones and rapping basslines that never quit - and 'Viral Vendor' (Trance mix) among the rigid groove highlights.
Review: White Scar's goal is to release EPs that feature a club ready track from four various artists on each. On the first side, Jucid's 'Essential To Our Life' is a futuristic and energetic synth heavy techno track that is sure to keep the crowd pumped up. Zuul's 'Are You Neutralised?' adds a bit of mysteriousness and drama to this sci-fi novel soundtrack. For the second side, Desiree Falessi's 'Electro Samurai' offers a dramatic 80s tinged techno sound complete with the perfect amount of tech while Boheme's 'Spiral' wraps up the EP with another science fiction track that adds some fun to the sound. Overall, four superb examples of retro sounding techno with a bit of a trance and electro feel within.
Review: A year on from Antoine losing what was going to be his debut album, he decided to reform his concept-based project Mise En Place into a vinyl-only label. This is the first outing on it and is a work inspired by the hit TV sitcom The Office (US). 'Australian Reds' is part progressive workout and part stripped back minimal rhythm, 'Colombian Whites' is a 90s-inspired house cut with sparkling synth arps and glitchy claps while 'Cafe Disco (AK's Rare Groove Dub)' takes the B-side into after-hours territory. 'Threat Level Midnight' is an atmospheric closer that take things deep.
Review: Lake People's Foreverer, released on Remote Scope, takes listeners on a dynamic journey through deeper realms of minimal and tech house. The album opens with 'S'Pace,' a track that impresses with its polished production and melody reminiscent of Black Dog, setting a sophisticated tone. 'New Seeds' continues this exploration, blending techno and house with a futuristic edge. The title track, 'Foreverer,' introduces a jungle breakbeat layered with an IDM atmosphere, providing an intricate and textured experience. On Side-2, 'Floating Pikes & Pines' delves into early 90s IDM, filled with unique bleeps and sounds that evoke the feel of a computer language. 'Short Path' stands out with its excellent acid work and futuristic IDM groove, offering a fresh take on familiar sounds. The album closes with 'The Solution Of The Problem Of Life,' an ambient outro that serves as a soothing and reflective ending to the record. Foreverer is a next level production that needs to be heard.
Review: Having previously taken on trips to imaginary 'Lost Moons' and the 'Island of Being', Yaroslav Lensyak is now our tour guide through Trippy Land - an aural, club-ready soundscape that combines his love of undulating acid lines and glitchy tech-house beats with sun-splashed melodic motifs, enveloping pads and off-kilter basslines. The sonic sightseeing begins with the gorgeous-but-weighty 'Yupi', before taking in panoramic views and shuffling breakbeats on the alternately picturesque, raw and sleazy 'Flicker'. Title track 'Trippy Land' boasts motorik bleeps, jagged analogue bass and sharp TB-303 tweaks, while the excursion-ending 'Sirius' is a deep, low-slung, early morning jog that's as rhythmically driving as it is sonically mind-altering.
Jamie Dodger - "Yes Yes Release The Stress" (6:20)
Review: Here we are introducing new label Art of Dark and its AODVA Series, a platform showcasing a diverse array of artists, especially those who are newcomers to the music scene. For its inaugural release, the series spotlights four different artists with their own distinctive sound and who are all set to go on to big things, at least if you ask us of the evidence of this. Log_In kicks off with 'Antivirus' which spins you out on nice cosmic tech vibes and screwy alien synth lines, while Landed's 'Anaesthetic' is a retro-future tech house pumper with neon lines and a tight bassline. Matthew Hartshorn's 'Computers' gets as digital as you would expect from the name with the sound of malfunctioning motherboards over sleek beats. Jamie Dodger shuts down with the more edgy percussion and rapped vocal sleaze of 'Yes Yes Release The Stress'.
Review: Fresh from serving up a superb set of off-kilter house cuts from Newcastle-based maverick Man Power, Timo Rotenen's Echocentric imprint has turned to regular Belters contributor Dominik Marz. The long-serving producer has delivered an EP of nostalgic, energy-packed delights that variously doff a cap to dance music sub-genres of the 1990s and early 2000s. For proof, check the gargantuan 'Honesty', where mind-bending noises and sharp, trance style stabs rise above stomping beats and deep, sub-heavy, bleep & bass style low-end pressure. Similarly excitable and mind-altering is EP-opening slammer 'Honesty'. Elsewhere, 'Only One' sees Marz pepper a stabbing bassline and hissing house beats with raw bleeps and nostalgic samples, while 'Never Use Quantize' is pleasingly wayward - like early Chicago house crossed with NYC freestyle.
Review: Italian producer Mennie lands on EYA Records here with an EP that hits plenty of contemporary touchstones: techno, retro synths, trance and faster rhythms. 'We Are Not The Plan' has a tech house edge but with cosmic pads and bright melodies, while 'Make It Easy' has playful top lines and a fizzing, textural synth bassline powered by crisp kicks. 'Engine' gets more physical with faster drums and snappy percussive layers, and 'The Story' grinds it out with mechanical stiffness and bleeping synth sequences that bring a retro-future flair. It's all perfectly colourful body music for knowing clubs.
Review: Flexi celebrated 40 years of energising dancefloors and championing underground music back in 2024. What began as a haven for vinyl lovers and evolved into a cultural force dedicated to high-quality sound. To mark the milestone, Flexi's indie off-shoot Flexi Cuts assembled this limited-edition compilation across several 12". Minimono opens this one with some super smooth deep house on 'Before Morning' and Delphi then switches it up with more twitchy, synth-laced and tense house while DJ Rou's 'Elastic Body' brings acid charm to steely mid-tempo beats. Relative's 'The Piece' shuts down with a darker heart and prying synths.
Review: Italian house lover Fabio Monesi returns to his Wilson label - named and styled after that unforgettable volleyball in Castaway - with a collab EP next to Tom Carruthers. It's rooted in traditional tropes from the 90s and US scenes starting with the kicking, retro flavours of 'Mi Amor' before 'The Bass Theory' brings on, yep, some more heavy bass-driven grooves. Last of all is the more synth-laden 'Killer Fruit' which is a triumph in drum programming that will enliven any crowd.
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