Back catalogue: Progressive House

Review: This compilation delves into the depths of electronic music, showcasing a diverse range of artists who blend retro influences with futuristic sounds. It's a captivating journey through hypnotic rhythms, atmospheric textures, and captivating melodies, with each track offering a unique perspective on the ever-evolving landscape of electronic music. Kosh's 'Back To The Future' sets the tone with its pulsating energy and nostalgic synth lines, while Christopher Ledger's 'Steady Process' creates a mesmerizing atmosphere with its hypnotic rhythms and evolving soundscapes. Reflex Blue's 'Super Sweet Feeling' injects a dose of Italo-disco-infused energy, its infectious melodies and driving bassline guaranteed to get bodies moving. Luca Attanasio's 'Mystery Freak' closes out the compilation with a darker, more experimental vibe, its haunting melodies and intricate textures leaving a lasting impression.

Review: FUSE London may be 16 years old, but this 12" inch is - somewhat remarkably - the label's first multi-artist EP. To kick-start their new compilation style series, the much-loved imprint has gathered up a quartet of cuts from an eye-catching array of artists. Heist regular Nachtbraker steps up first with 'Banda', an intergalactic-sounding hybrid of tech-house, deep house and nu-disco sounds, before Rob Amboule steals the show with the bleeping electro-meets-twisted electronic funk brilliance of 'Capnhat'. Rising star Reflex Blue joins the dots between sub-heavy UK tech-house and turn-of-the-90s bleep & bass on the superb 'Life's a Bleep', while Mario Liberti reaches for mutilated rap samples and heady organ stabs on the 'Plastic Dreams'-inspired 'We Are The N&B'.

Review: 'Cosmic progressive house' is a relatively rare denomination for new dance releases, but that hasn't stopped Rand MUZIK, who here welcome Australian newcomer Reflex Blue to their roster for four tracks of acid heat. Electro, acid, vocal gates and modular jams are checked off in the space between 'Implant' and 'Gore', as we're left dumbfounded and hypnotised by the repeated assertion made by one vox: "this place distorts reality".

Review: We can't fault anyone for calling their EP Four Really Good Tracks just so long as it does indeed feature four really good tracks. This hand-stamped 12" from Terrazzo does just that with contributions from four different artists. Remotif's 'Ludovician' kicks off with a nice zoned-out tech roller for 4AM. Jay Gadian then steps up with 'Crisscrossing' which has a busier rhythm anymore searching synths smeared over the face of the groove. Reflex Blue's 'Mystic' is a busy workout with spiraling melodic refrains and a constant sense of cosmic takeoff. Wilt's 'Fractal Ceiling' then shuts down with acid laced deep techno.

Review: Coming to Whitvoir for their debut album release, Reflex Blue's Positive Nature is an ode to nineties trance and the more introspective side of lower-mid tempo music. Drawing inspiration from the external environments that encompass the artist's native Australia and its vast rural landscapes, the double LP is a reflection of migration, introspection and deeper meditative states, aiming to explore a deepened connection with the outside world - a meditative re-rendering of reality in sound, bridging the gap of notions between the electronic and the organic. With every track seeming to reflect biomes, bioregionality, geo-ecology ('River Trance', 'Way Of The Compass'), the album's piano riffs, downtempo lunges and acid twinges will have you navigating your very own walkabout in no time.